Archives for posts with tag: books

Writers' Trust Award winners (l to r) Andrew Nikiforuk, Lisa Moore, Naben Ruthnum, Colin McAdam, Barbara Reid

On November 20, 2013 the Writers’ Trust of Canada held its 13th annual Writers’ Trust Awards in the Glenn Gould Studio in Toronto. The big winners of the night were:

  • Colin McAdam for A Beautiful Truth, which won the Rogers Writers’ Trust Fiction Prize;
  • Naben Ruthnum for “Cinema Rex,” which won the Writers’ Trust/McClelland & Stewart Journey Prize;
  • Lisa Moore, who won the Writers’ Trust Engel/Findley Award;
  • Andrew Nikiforuk, who won the Matt Cohen Award: In Celebration of a Writing Life;
  • Barbara Reid, who won the Vicky Metcalf Award for Literature for Young People;
  • McClelland & Stewart, which won the Writers’ Trust Distinguished Contribution Award in recognition of having been the sponsor of the Journey Prize since its inception 25 years ago.

The Writers’ Trust Awards is always a great event to be a part of, with the feeling in the room being one of support, congratulation and celebration. The acceptance speeches were heartfelt, in some cases emotional, and spoke to the importance of awards such as these to support, nurture and also showcase Canada’s finest literary talent.

Here’s some of the media coverage:

 

As we prepare to ring in 2013, here, in no particular order, is my top 5 for 2012.

Nonfiction

Londoners by Craig Taylor
These oral testimonials create a living, breathing portrait of a city. I was happy to see the book turn up on two out of three National Post critics’ lists on the last Saturday of the year, proving my love for it isn’t too too swayed by my personal love of London.

You Aren’t What You Eat by Steven Poole
This smart and hilarious rant about foodie culture caught my eye in an advance edition  in the UK this past spring. I read most of it in a gastropub  and giggled away over my pint and wild boar sausages. Available only as an eBook in Canada, it’s a steal at $1.99.

Far From the Tree by Andrew Solomon
Listen to Andrew Solomon talk about his book in this episode of CBC’s The Sunday Edition and see if you can resist picking it up. Solmon’s book about children, parenting and identity is both sad and hopeful, and holds relevance for us all.

Fiction

The Faster I Walk the Smaller I Am by Kjersti A. Skomsvold
This short novel about an old woman approaching death has echoes of Will Self and Alan Bennett. A terrific debut from a young Norwegian author that I was delighted to discover at this year’s International Festival of Authors in Toronto.

Siege 13 by Tamas Dobozy
Dobozy emerged as the literary darling of awards season, with a Writers’ Trust win and a GG nomination topping off a collection of absolute rave reviews. Linked short stories  about the lasting effects of Siege of Budapest, this collection stood out by a mile and deserved every word of praise.

Honourable Mentions


Straphanger by Taras Grescoe — an important and eminently readable book about urban transit. Watch out for the paperback in the spring.
The Measure of a Man by JJ Lee — a 2012 paperback (I came to it late). I was reading passages to people out loud I enjoyed it so much.
In One Person by John Irving — his best novel since A Widow for One Year. Too bad about the horrendous cover.

 

’tis the year of discord among prize juries, we are told.

With the Rogers Writers’ Trust Fiction Prize, Scotiabank Giller Prize and Governor General’s Literary Award for English-language Fiction lists all out, the verdict came in: an almost unprecedented level of dissenting opinion between the three juries threw Canada’s literary awards season into disarray. Or possibly into ambivalence, if one can be “thrown” into ambivalence (today’s “Guessing the Giller” article in the Globe & Mail might as well have been titled “Meh”).

“The Year of Discord Among the Literary Experts,” said  the Globe & Mail on Oct. 2, noting that, “the divergence of opinion among literary experts contrasts with the solidarity that occurred last year.”

An “almost unprecedented number of 12 different books have been selected by various juries and committees,” said the Toronto Star on Oct. 26.

Really? Or is it just that last year’s lists were so dominated by two names in particular that it gave the illusion of the awards being a race between only those two books?

As the publicist for the Rogers Writers’ Trust Fiction Prize it was my great pleasure to work with Patrick deWitt and Esi Edugyan (the two shortlist-dominating authors in question) in 2011. What was frustrating about last year though was that the noise surrounding those two names was such that the other nominees (there were nine of them, by the way) found themselves a little drowned out. By contrast, the 2012 shortlists with their lesser (but, see below, not by as much as you’d think) accord provide, instead of one big story, many smaller ones. And isn’t that what literary awards are here to do? To re-open the window of publicity for those authors short- and long-listed for them?

The configuration this year is different, but the stats not so much.

The Breakdown (Canadian shortlists only – I’m not including the Booker):

  • In 2011, 11 out of a possible 16 books were shortlisted.
  • In 2012, 12 out of a possible 15 books were shortlisted.
  • In 2011, 3 books were nominated for multiple awards.
  • In 2012, 3 books were nominated for multiple awards.

One notable difference: in 2011, two books were nominated for all three awards (and hence became major noise-makers), whereas in 2012 none were.

Because the Giller had a six-book shortlist in 2011 it messes with the numbers a little, but let’s assume that a five-book shortlist in 2011 would have omitted Better Living Through Plastic Explosives (by all accounts the outsider), which didn’t appear on any other lists. That would still leave us with 11 books out of a possible 15 in 2011, versus 12 books out of a possible 15 in 2012.

Conclusions

  • The same number of books appeared on multiple lists in 2012 as in 2011
  • The total number of books shortlisted across the combined lists in 2012 is only one higher in the year of disagreement than it was in the year of accord.
  • The same number of books (3) appeared on multiple lists in 2011 as in 2012.
  • Book people are bad at math. But I think we already knew that.

As Mark Twain said, “There are three sorts of lies: lies, damn lies, and statistics.” 2012 may be the year of discord among the literary judges or it may be the year that award recognition managed to sprinkle some fairy dust on a greater number of books than in 2011.

Good luck tonight (Giller nominees), on Nov. 7 (Writers’ Trust nominees), and Nov. 13 (GG nominees) to each and every one of this year’s literary dozen.

 

(with thanks to @ebcameron for swiftly pulling together these stats)

 

My latest Open Book: Toronto column. On uniting personal libraries from both sides of the Atlantic, and on the power of the scrap-of-paper bookmark to turn a book into a forever keepsake.

 

 

We’ve been waiting nine years since Middlesex, so … does Jeffrey Eugenides’ The Marriage Plot live up to the hype?

On tomorrow’s CBC Day 6, I say … no.

Prepare to throw rotten tomatoes (at it, or me, depending on your own point of view).

Literary Awards: too few, too many, or just enough?

Erin Balser and I will be talking to Mary Ito on CBC Fresh Air tomorrow morning, October 15, about literary awards season and how readers can make sense of the slew of shortlists they’re confronted with throughout the year.

The segment airs at 8:30am EDT on CBC Radio One.